seam collective Textile Talks: Textiles, sustainability and collaboration

We are delighted to share more details of the Programme, Speakers and Talks at seam collective Textile Talks in October.
You can buy tickets for the event here
Programme
9:30 am | Refreshments | |
10:00 am | Introduction | Judith van den Boom |
10:15 am | Talk 1 | Paula Orrell The role of the visual arts as vital cultural infrastructure and as a driver of social and economic growth |
11:00 am | Break | Refreshments |
11:30 am | Talk 2 | Judith van den Boom Warped and Wasted: A Collective Process to Practice Life |
12:15 pm | Lunch – 1.5hrs | Lunch not included. Opportunity to visit the Warped and Wasted exhibition |
1:45 pm | Talk 3 | Helen Carnac with seam members Lou Baker, Oliver Bliss, Nina Gronw–Lewis, Angie Parker, and Nicola Turner Warped and Wasted in-conversation |
2:30 pm | Break | Refreshments |
3:00 pm | Talk 4 | Heath Lowndes |
3:45 pm | Conclusion | Judith van den Boom |
4:00 pm | Opportunity to visit the Warped and Wasted exhibition |
To reduce the cost of tickets, lunch is not included in the ticket price. You are welcome to bring a packed lunch or support one of the many lovely local businesses in Somerton. Refreshments will include teas, coffees and water.
Speakers
Judith van den Boom

With over 15 years of international expertise, Judith is an avid lecturer and consultant, collaborating with partners globally. She holds an MA from the Royal College of Art and is pursuing a PhD at Manchester Metropolitan University, developing regenerative relational frameworks to deepen ecology and design alliances. Judith co-founded UFƟ Unidentified Facility, a research group to explore future ecologies and experimental processes. Her earlier design work as studio BoomWehmeyer was grounded in hands-on processes, reimagining making as dialogue and extensively exhibited in Europe and Asia. For Judith craft is about much more than the process and material to achieve an outcome. Rather, it is a tool for presence, awareness and exploring relationships in ways that help to transcend to a richer sense of self, a new sense of connectedness, with others, and more sustainable ways of living.
Website: csmregenerativedesign.com
www.unidentifiedfacility.org
Linked in: linkedin.com/in/judithboomwehmeyer

Talk 2 – 11.30am
Warped and Wasted: A Collective Process to Practice Life, explores how we can understand sustainability not as a passive concept, but as an active, living learning practice that is relational, collective, and integrated with environmental care. Drawing on the process of seam collective, we’ll unpack how sustainability is more than a material concern. It connects diversity, locality, cycles, and care.
We’ll explore how working collectively, learning from, and designing for nature can guide us to new knowledge, applications, and ways of seeing, ultimately helping us restore and reimagine our relationships with the world. Central to this has been a collaborative learning journey of Warped and Wasted: experimenting together, sharing skills and perspectives, questioning assumptions, and holding space for discussion. Through workshops, hands-on making, explorations, and collective modes of working, seam has co-developed its response to becoming sustainable in both ecological and social contexts. This process, with all its uncertainties, tensions, and translations, has been pivotal to frame sustainability as practice and process.
How does sustainability feel in a collective process? How do we engage place as partner? How do we show and embody this through our work and daily actions? This talk invites us to rethink how we are community, as artistic practice, as interconnected network, and as part of a living planet.
Paula Orrell

Paula Orrell is the National Director of CVAN England (Contemporary Visual Arts Network), a role through which she leads national policy advocacy, sector support, and equity programmes for the visual arts. With a background in curating and arts leadership in both the UK and New Zealand, she has directed institutions including CoCA Toi Moroki in Christchurch and Plymouth Arts Centre, and led major public art initiatives such as the River Tamar Project. Paula is the Chair of the Coventry Biennial. She has played a central role in advancing fair working conditions, investing in artists, and recognising the visual arts within national growth strategies. She is committed to reshaping the visual arts ecosystem to be more equitable, sustainable, and valued as a critical part of the UK’s creative economy.
Website: cvan.art
Instagram: @paula.orrell.curator
LinkedIn: linkedin.com/in/paulaorrell
Paula will speak on the role of the visual arts as vital cultural infrastructure and as a driver of social and economic growth. Drawing on her leadership of CVAN and national advocacy work, she will explore how visual arts, including textiles, contribute to health, innovation, and place-making, and why long-term investment and policy reform are crucial. Her contribution will spotlight current challenges — including precarity, underfunding, and lack of representation — while offering a roadmap for building a more resilient and inclusive ecosystem. Paula will also explore how artists and arts organisations can shape policy and influence structural change.
Helen Carnac

Helen Carnac is an artist and maker who lives and works in West Somerset, UK. Setting up her studio in the early 1990s in London, Helen has since developed many projects and works using methodologies that are rooted in an acute awareness of physical location, place and working practices. Helen has been critically engaged in why and how we make things throughout her career and has taught and developed courses in university settings for over 25 years.
In 2009 she curated the highly regarded exhibition Taking Time: Craft and the Slow Revolution, which toured eight national venues and museums and was an early exploration of how making processes can be linked to ideas of provenance, sustainability and the Slow movement. These ideas are still key to how she develops and makes her work. Now living in a rural context, her working week is interspersed with looking after, her and her partner’s (artist David Gates), small holding, where in an attempt to encourage more nature friendly habitats, they have planted over 700 native trees, several natural meadows and are renovating a 17th Century farmhouse.
Her work is held in several collections including V&A, London (UK), Enamel Art Foundation, (USA), Rotasa Foundation, (USA), RAM (USA) and Montreal Museum of Fine Arts (Canada).
Website: Helencarnac.co.uk
Instagram: @HelenCarnac
Warped and Wasted in-conversation, during this question-and-answer conversational session, Helen and seam collective members will reflect on how the group’s approach to textiles, art, sustainability and collaboration has developed during the development of the Warped and Wasted project. We will discuss how the collective members have engaged with a range of subjects during meetings and making processes, touching on some of the challenges they have faced during the process and how they have overcome them.

Lou Baker
Attraction, repulsion, horror and hilarity – Lou Baker’s sculptures subvert the stereotypical expectations of knitting and stitch, provoking a range of conflicting responses. Shapeshifting, formed through tension, gravity and movement, they’re immersive, alluring, yet somehow, also, uncanny. It’s intentionally sloppy craft– gestural, unfinished, unravelling.
This darker side of her practice is balanced by a brighter side of social engagement, improving wellbeing, making connections and building community. It’s as if she ‘knits together’ people and places with materials, processes and ideas, even when there’s no knitting involved. Her work is a provocation to thought, conversation and, sometimes, action.
Website: loubakerartist.co.uk
Instagram: @loubakerartist

Oliver Bliss
Oliver Bliss is a contemporary artist using textiles to explore identity, sexuality, and gender. He is currently exhibiting in Made in the Middle with Craftspace. His previous project Soft Lads features large-scale tapestries inspired by male tattoo culture on Instagram, exploring masculinity and self-image.
Oliver has led community projects including History in the Making with Worcester Archives and Watermark Showcase with Meadow Arts. His Same-Sex Marriage Quilt celebrated MPs who voted for marriage equality. He also designs Pride banners, facilitates creative workshops, and provides mentoring and training with groups such as Behind the Smile, Craftspace, and Castlefield Gallery.
Website: oliverbliss.blogspot.com
Instagram: @olybliss

Nina Gronw - Lewis
Nina Gronw-Lewis is an artist whose practice centres on materials, slow processes, and a commitment to ethical production and craft. Her work reflects a deep respect for traditional techniques, reimagined through a sustainable lens. Recent projects explore the power of storytelling through textiles, highlighting how making can connect people, places, and ideas. Nina’s practice bridges heritage skills with contemporary thinking, aiming to inspire more conscious and collaborative approaches within the textile field.
Website: ninagronw-lewis.co.uk
Instagram: @ninagronwlewis

Angie Parker
Angie Parker weaves the traditional Norwegian technique of krokbragd to create contemporary artworks and rugs, and is the author of Krokbragd Contemporary Weaving with Colour. Her practice is led by her responses to the colours around her and the designs develop in a creative flow-state where each pattern determines the next. She is the owner of the contents of renowned British weavers Peter and Jason Collingwood’s studio including Peter Collingwood’s extensive book collection and a mountain of wool.
Website: angieparkertextiles.com
Instagram: @angieparkertextiles

Nicola Turner
Turner is an artist known for creating large scale, visceral installations from wool and waste horsehair, often made in response to their surroundings. Last summer she gained attention for her site responsive installation The Meddling Fiend in the Courtyard of the Royal Academy, London, for the duration of the Summer Exhibition. In 2024 she was awarded the RWA Academy Award for her sculpture Klipp und Klapp. Turner has exhibited recently at Carvalho Park Gallery, New York; The Bomb Factory, London and Art Basel Unlimited. Turner is represented by Annely Juda and founded FORM-ica, an independent collective of artists in Bath.
Website: www.nicolaturner.art
Instagram: @nicolaturner.art
Heath Lowndes

Born and raised in North London, Heath studied Fine Art at Brighton before spending a decade working in artist studios and galleries in London. With a background in arts production and exhibition management, Heath found the perfect way to merge his passions for art and nature through GCC, which he co-founded and has been running as Managing Director since 2020. Heath is always open to collaborating on projects that innovate, inspire creativity, or drive positive change.
Website: galleryclimatecoalition.org